AI Decentralized Metaverse
No Time Square
Perspective of A New Order
In an era where information saturates and obscures truth, Kantfish (Emanuele Giusto) investigates the fragile boundary between perception and reality. With decades of firsthand experience accessing mass information as a reporter, he transforms societal insights into multidisciplinary artworks—spanning photography, digital art, AI, video, and film—creating immersive, “More Than Real” experiences. Documentary events provide the foundation for sublimated visions, revealing hidden contradictions and dystopian tendencies within contemporary life.
No Time Square embodies a present and future dystopia, a landscape of confusion dominated by pervasive symbols of societal depression. Originating from documentary photographs and later sublimated through personal digital and AI techniques, the work layers multiple narrative details. It includes a critical reflection on “What is Success?”, stemming from Kantfish’s years-long multidisciplinary research, inviting viewers to question societal values and human priorities. Layered information warns that true progress must remain human, beyond productivity, urging reflection and change toward a more conscious society.
In Perspective of a New Order, urban landscapes reflect continuous input and information bombardment: movement, color, and multidirectional cues create tension between attraction and limitation, emphasizing a society overwhelmed by data yet lacking conscious reflection.
Similarly, in AI-Decentralized-Metaverse, photographs merge with AI to create immersive, three-dimensional universes where classical order dissolves into apparent chaos, metropolitan structures blending with metaphysical spaces in harmonious yet unsettling visions.
Kantfish’s work resonates with Transient Info: questioning permanence, authorship, and the archive while exploring hybrid materialities, unstable memories, and identities in constant reconfiguration. Through documentary observation, mass-information awareness, video, film, digital techniques, and AI, he constructs visual narratives at the intersection of the ephemeral and the eternal, provoking contemplation and critical engagement with the present and the emerging posthuman condition.
Short Bio
Kantfish (Emanuele Giusto), Italian visual artist and multidisciplinary author, explores reality and its “More Than Real” sublimation through digital art, photography, film, writing, and performance. His works have been awarded, including Obra Abierta (2012), exhibited at the National Gallery of Bangalore, Círculo de Bellas Artes in Madrid, Madrid Design OFF, and Guinovart in Barcelona (NFTs, Avalanche Summit), and represented in galleries across Spain, Japan, and the USA (Saatchiart, TRiCERA, 4D/Arty).
Link to website: artkantfish.com / collection.artkantfish.com